This lecture focuses on the research approaches of body practice as the main driving force of knowledge production, such as practice-oriented research, artistic research, performance as research, etc., its questions, methods and challenges; it is supplemented by the speaker's own research as a case have a discussion. How to enter and exit, ask questions, record and understand this fleeting dynamic phenomenon, and make private experiences public, feel knowledge and knowledge perceptually, and set the potential for producing original knowledge on the road from practitioners to becoming practical researchers. challenges. Lecturer|Fan Xiangjun Dance scholar, dance composition, dance critic Currently, he is an assistant professor in the master's program of the Department of Dance at the National Taipei University of the Arts. He was a doctoral researcher at the National Science Council's Center for Humanities and Social Sciences. His research fields include body practice research, Taiwanese modern and contemporary dance history, dance video, dance composition, and dance criticism. He served as a nomination observer for the 17th Taishin Arts Awards, a resident critic of the Performing Arts Critics Station, a special writer for Performing Arts Magazine, and a co-curator of the TANZAOHI Dance and Dance Video Festival in Hamburg, Germany. She studied dance composition at the TANZBURO TANDEM program in Berlin, Germany, and interned in dance composition with the LANDESTHEATER LINZ dance company in Austria. Dance composition cooperation works - "Eternal Straight Line" (2019) and "Physical Cyborg" (2023) by Anna Chi Dance Theater/Xie Jiehua; "MUDRA" (2020) by Hamburg LICHTHOF Theater/JASMINE FAN. Recently, I collaborated with artists Yu Meihua and Dong Yifen on MOTHER (HOOD): ACOLLECTIVE LECTURE performance and art practice.

Implemented by Department of Dance
Date: 2023/11/22